David became interested in music in the 1960's from the ages of fifteen to seventeen when his father first bought him a keyboard and then a guitar.The hobby soon grew from playing in local groups for fun to touring universities in the UK, playing the Cavern Club, Liverpool, to finally around 1968 touring army camps in Germany.On one occasion he was in one of the two supporting acts to Black Sabbath at the Star Club in Hamburg. In one way or another he has always had some involvement with music, even moreso when he joined another local band and met Maxie who was singing lead vocals.They married in 1970, and now have a son and a daughter and two grandsons.

Maxie is a published poet since the age of fifteen. Her poetry has appeared in numerous anthologies and on the internet. In 1992 she graduated from the University of Wales College Cardiff with a 2:1 B.A. Hons Eng Lit and she has taught English literature in local colleges. Her maiden name is Maxwell and her great grandfather originated from South West Scotland which may account for her love of all things Scottish, the countryside, the people and the music. All this is now reflected in the music of Serundal.

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Have you heard Serundal's latest album Leylines? check out this review

'Leylines' by Serundal is the prequel to the story of the Legend of Serundal and is intended to promote the trilogy of albums on the theme of the legend and The Kingdom Of Roth, 'Ab Initi' being the first in the series. I'm impressed with 'Leylines' and I marvel at the creativity and productivity of Serundal and their beautiful visionary epic. Serundal's website tells of "A Celtic World of Music Poetry and Magic" - and, make no mistake, that's exactly what you get!

 

'Leylines' actualy feels more cohesive and generally more confident than 'Ab Initi' (and that was pretty damn impressive!!); there's a fantastic flow to this work; it drifts effortlessly along and seems to cradle you in its being. Superbly laid back but offering a warm place to go on a dark autumn's night, 'Leylines' is evocative, descriptive, at times haunting and at others, hypnotic. Everything's just so smooth and peaceful sounding - it's a wonderfully dreamy work that reminds me in parts of Mike Oldfield, in other parts Renaissance, then I hear Sonja Kristina, Sandy Denny, loads of famous names come to mind but actually it's all just Serundal! It's wonderful!!

Serundal have done a bloody good job with 'Leylines' - their story telling prequel to the trilogy is magnificent and as a stand-alone work it's equally as compelling and works just as it is. I don't know how long Serundal have taken to get this far but 'Leylines' feels as though an awful lot of heart and soul has been put into it; it's beautifully polished, it's maturely composed and performed, it's thoroughly entertaining and extremely enjoyable. Serundal should be very proud of what they've achieved here.

I really hope 'Leylines' does its job and Serundal can get their trilogy out there and accepted - it thoroughly deserves to be successful. 'Leylines' is a splendid piece of work and bodes well for the second and third release in their epic aural adventure. Great work, beautiful to behold, remarkably assured and relaxingly tantalising.

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